Who said ‘I am Brazil’?

Singer, composer, politician – Gilberto Gil is one of Brazil’s most inspiring icons. On the eve of his performance at Royal Festival Hall tomorrow (Wednesday 21 July), Paul Heritage explains what is it is that makes him so unique.

“When Brazil’s President Luiz Inácio Lula da Silva announced in 2003 that Gilberto Gil had accepted an invitation to join his government, The New York Times commented that it was like making Bob Marley Minister of Culture or putting Bruce Springsteen in charge of the National Endowment Fund. But few countries can boast about having had such a charismatic Minister of Culture. In Gil’s presence a political event became a cultural happening. Gil does not just enable the forces of culture in others, he embodied them in himself through his six years as Brazil’s Minister of Culture. A photograph of Gil in his first year of office, playing guitar and singing next to a seated Kofi Annan on drums gives some idea of where the man can stand when he sings – and the potential power of what he can make with his art. Torquato Neto, one of Gil’s earliest creative partners, once commented that ‘there are many ways to sing and make Brazilian music: Gilberto Gil prefers them all’.”

Below is a selection of quotes taken from throughout Gill’s career.

Gilberto Gil on himself ‘I’m a minister, I’m a musician but above all, I’m a hacker in spirit and desire.’

On diversity ‘We practise diversity as a right to identity and as a means of creating, as a recognition of the radical otherness, as the legitimate presence of that which we do not reach, but of that which makes us know and cultivate our own culture.’

On Brazil’s place on the world stage ‘Brazil can take advantage of its own paradoxes, of its own asymmetric tendencies in order to arrive faster at a central place in a world of shared paradoxes and globalised imbalances.’

On Brazil ‘I travel the world and I notice that the reporters only ask me: “Brazil? Brazil?” And I wonder, “What am I going to tell them?” I have nothing to say. I am Brazil (laughs).’

On finding Brazil’s unique voice ‘What Brazil needs to have is the ability to speak, to have a voice, to have the courage to talk, and that voice has to draw on frequencies that come from various sectors, from various parts of Brazil. Geographically, sociologically, anthropologically, that voice has to come from the various Brazils that are out there, protesting, needing space, needing to speak.’

On the importance of culture Cultivated from Nature by human labour, culture is the domain of human life, produced by the hand of Man from the planet’s limited wealth. Cultivation requires constantly returning to the land to honour the natural matrix of what we do… Culture is freedom, innovation and disruption, but also regulation and tradition, the sediments that constitute who we are in the deep, tectonic movements of what it is to be human.’

On everything ‘O melhor lugar do mundo é aqui e agora.’ / ‘The best place in the world is here and now’ [From Gilberto Gil’s song Aqui e Agora / Here and Now]

Paul Heritage is Artistic Director of People’s Palace Projects (PPP), Festival Consultant for Festival Brazil. PPP is an arts organisation established at Queen Mary, University of London, to advance the practice and understanding of art for social justice. Paul collected the quotes spanning Gilberto Gil’s life, with thanks to Rodrigo Faria.

Gilberto Gil performs at Royal Festival Hall on Wednesday 21 July, 7.30pm.

Kurt Cobain’s dream comes true at Southbank Centre

Back in 1993 when Nirvana toured Brazil, Kurt Cobain called for the reunion of 1960s Brazilian Tropicália band Os Mutantes. After trying unsuccessfully to meet with bassist and singer Arnaldo Baptista, Cobain wrote to him, reportedly saying ‘Arnaldo, best wishes to you, and be careful with the system. They swallow you up and spit you out like a maraschino cherry pit.’

It wasn’t until 2006 that Os Mutantes reunited, and now they come to Southbank Centre’s Royal Festival Hall for a special gig.

Cobain discusses Os Mutantes about two minutes into this interview clip. Enjoy!

Os Mutantes perform with Porcas Borboletas at Royal Festival Hall on Sunday 18 July – book here

More on Os Mutantes and the musicians who love them

What do Beck, Kurt Cobain and Brazil have in common?

Answer: Os Mutantes!

For Beck, the discovery of the 1960s Brazilian band Os Mutantes was ‘one of those revelatory moments you live for as a musician, when you find something that you have been wanting to hear for years but never thought existed. I made records like Odelay because there was a certain sound and sensibility that I wanted to achieve, and it was eerie to find that they had already done it 30 years ago, in a totally shocking but beautiful and satisfying way’ (quoted in The New York Times, 2001). Beck’s album Mutations, containing the song ‘Tropicalia’, pays homage to the group.

Kurt Cobain even tried to reunite Os Mutantes in 1993 without success, writing a personal letter to band member Arnaldo Baptista. The band would finally play together again in 2006 in London. A reviewer for The Independent wrote of the show: ‘Long after the lights have come up, the crowd are still chanting “Mutantes! Mutantes! Mutantes!”… In a way, Kurt Cobain was lucky that Os Mutantes turned down that support slot – Nirvana getting out-rocked by a bunch of mad, middle-aged Brazilian hippies would have been a sight to behold.’ 

Os Mutantes were pioneers of the 1960s Tropicália movement in Brazil. Tropicália was a brief cultural explosion – encompassing music, theatre, poetry and other forms – that happened in the shadow Brazil’s 1964 coup and the dictatorship that followed.

Os Mutantes’ psychedelic cut-and-paste approach to music took in influences from all over the world: ‘In Brazil we were influenced by things like The Beatles and Picasso,’ founding member and singer/guitarist Sergio Dias explains. ‘But we didn’t know what The Beatles were singing about and we didn’t know the history of Picasso. We were in the middle of a very bad situation and we were responding to all of this. We only had bits and pieces of everything and so we formed this image of what rock and roll was supposed to be. Our music is like a patchwork quilt made up of all these different pieces from different places. We put all these elements together and just let them cook in this witches brew and that became our sound.’

Fellow Tropicália pioneer Gilberto Gil was closely linked with the group, playing with them prior to his arrest and subsequent exile in 1969. Other artists who have championed Os Mutantes include Talking Heads frontman David Byrne, Devendra Banhart and The Flaming Lips.

Os Mutantes perform with Porcas Borboletas at Royal Festival Hall on Sunday 18 July

Gilberto Gil performs at Royal Festival Hall on Wednesday 21 July

More information on Os Mutantes

Ready for Meltdown 2011?

We’ve come to the end of another fantastic Meltdown festival that saw Richard Thompson curate 11 days of music across Southbank Centre.

A Celebration of Kate McGarrigle

Undoubtedly one of the highlights was A Celebration of Kate McGarrigle, which saw a cast of music’s luminaries including Rufus and Martha Wainwright, Richard Thompson, Nick Cave, Emmylou Harris, Anna McGarrigle, Neil Tennant, Lisa Hannigan  and more pay tribute to one of the great singer-songwriters. The Guardian called it ‘a concert to remember‘ and certainly anyone who was there won’t forget it in a hurry.

Elsewhere Seasick Steve received a rapturous reception for his brand of hobo-blues; The Daily Telegraph heralded the Six Strings night of guitar legends as ‘the most extraordinary show‘; Field Music showed why they are one of the UK’s great art-pop bands; there were  odes to cricket; and the cast of I’m Sorry I Haven’t a Clue donned black berets in honour of Richard Thompson.

Richard Thompson

Meanwhile, Islamic punks took over Queen Elizabeth Hall for a night celebrating the emerging Taqwacore scene; Richard Thompson showed why his music is so special, both alongside Loudon Wainwright III and leading us through 1000 Years of Popular Music; former Meltdown Director Elvis Costello was welcomed back to Royal Festival Hall; and Broken Bells closed the festival in style.

Broken Bells

Take a look at more of the photos from the festival here

There will be plenty of gigs at here before next year’s festival but in the meantime, we’d love to hear who you think should curate next year’s Meltdown.

Tell us who you think should be the 18th Meltdown Director in the comments box below and we’ll pick five winners at random who’ll each receive a copy of Broken Bells’ debut album.

You never know, we might take your advice and remember you can keep up with all the Meltdown news by following us @meltdownfest

Philip Selway to support Wilco

Not only are we absolutely delighted to have Wilco joining us on 14 September for a gig at Royal Festival Hall but we can now announce that Radiohead’s Philip Selway will be supporting them. The show is sold out but this will certainly be good news for those of you who have tickets.

Following in the footsteps of his fellow band members who’ve released solo music, Selway’s debut album Familial comes out on Bella Union in August and is a sublime collection of haunting, intimate songs. Unfortunately there are no videos as yet to share with you but here’s a classic moment from Radiohead to whet your appetite, as well as a little something from Wilco themselves.